![]() Led by the likes of Jeffrey Katzenberg, then the Chairman of Walt Disney Studios and a man who was very eager to replicate the Oscar success of Beauty and the Beast, Disney’s animation division shot for the stars with some seriously lofty concepts. ![]() ![]() Even after the boost of the Renaissance, financial safety wasn’t guaranteed, but this was a time of renewed critical excitement. Indeed, I truly believe it’s the biggest creative risk the company ever took. Sure, I can point to films that are more consistent in the studio’s canon but this is the one that thrills me the most. Even by the changing standards of the studio in the ’90s, nobody could have predicted that Disney would put its weight behind a movie like The Hunchback of Notre Dame.ĭisclaimer: The Hunchback of Notre Dame is my absolute favorite Disney movie. Amidst this era of reassured industry confidence and audience interest, Trousdale and Wise went to work on their next movie, which turns 25 this week. Beauty and the Beast was preceded by The Little Mermaid, widely agreed upon to be the first Renaissance movie, and followed up by takes on the Aladdin and Mulan stories, a version of Hamlet with lions, and a manic action satire version of Greek mythology. The company was back to making the kinds of films that had defined them in their early days lavish fairy-tales and re-imaginings of classic stories, all told with that inimitable Disney style. The 1990s are typically characterized as Disney’s Renaissance era, the decade where the studio scraped its way back to the top of the pile after several years of failures and near-bankruptcy.
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